Beugnet Martine

Posted on July 28, 2019


Research themes

  • Cinema, Video, Digital Media
  • Visual Studies

Current Project

A Screen dossier on virtual reality and immersion, with Lilly Hibberd, forthcoming in 2020.

Le Cinéma et ses doubles: l’image de film à l’ère du foundfootage numérique et des écrans de poche, forthcoming at the Bord de l’Eau press.

Research Supervision

  • Cinema, Video, Digital Media
  • Visual Studies

Education and Academic Positions

  • 1997-1999, Lecturer, University of Northumbria
  • 1999, PhD, University of Edinburgh
  • 1999-2007, Lecturer and reader, University of Edinburgh
  • 2007-2012, Professor in Film Studies, University of Edinburgh
  • 2012-present, Professor in Visual Studies, Paris University

Administrative Responsibilites

  • Co-direction, with Emmanuelle André, of the double Master in Film Studies (Anglais Cinéma)
  • Co-direction, with Ariane Hudelet, of the Research Cluster Arts and Visual Culture
  • Head of Department, English Studies, Paris University, 2015-2018
  • Head of Film Studies, University of Edinburgh, 2001-1012

>> Download the short CV

  • Absorbed in experience: new perspectives on immersive media Introduction
    Martine Beugnet, Lily Hibberd , Screen, Volume 61, Issue 4, Winter 2020, Pages 586–593,, 19 February 2021
  • L’Attrait du flou, Yellow Now, 2017.
  • Indefinite Visions: Cinema and the attraction of uncertainty, Edinburgh: Edinburgh University Press, 2017.
  • Cinema and Sensation: French Film and the Art of Transgression, Edinburgh: Edinburgh
    University Press, 2007 and 2012.
  • « An aesthetics of exhaustion? Digital found footage and Hollywood», Screen 58, numéro
    spécial Hollywood (re)turns, 2017, pp. 218-228.
  • « (S)wipe: phénoménologie d’un geste filmé”, in Geste Filmé, gestes filmiques, eds Christa Blumlinger and Mathias Lanvin, Paris : Mimésis, 2018, pp. 361-381.