25 October 2019 - 10 h 00 min - 12 h 00 min
Required Reading: Tirza True Latimer, “Introduction: ‘Eccentric Propositions,’” in Eccentric Modernisms: Making Differences in the History of American Art, Oakland: University of California Press, 2017, pp. 1-14.
*Presentation 1: Harriet Riches, “’Picture Taking and Picture Making’: Gender Difference and the Historiography of Photography,” in Tanya Sheehan, ed., Photography, History, Difference, Hanover: Dartmouth College Press, 2015, pp. 128-150.
*Presentation 2: Selection from Mark Godfrey, “Notes on Black Abstraction,” in Mark Godfrey and Zoé Whitley, eds., Soul of a Nation: Art in the Age of Black Power, London: Tate Publishing, 2017, pp. 165-191.
*Presentation 3: James Boaden, “Moving Houses: Jess and Robert Duncan’s Queer Domesticity,” Oxford Art Journal 36.2 (2013): 257–280
—PDF available on Jstor
>> The Self Imagined: Portraiture, Identity, and Difference in American Art
Instructor: Tatsiana Zhurauliova
Terra Foundation for American Art Center,
121 rue de Lille, 75007 Paris