Who Owns the News?
A History of Copyright
Publication | Critiques
Résumé
You can’t copyright facts, but is news a category unto itself? Without legal protection for the “ownership” of news, what incentive does a news organization have to invest in producing quality journalism that serves the public good? This book explores the intertwined histories of journalism and copyright law in the United States and Great Britain, revealing how shifts in technology, government policy, and publishing strategy have shaped the media landscape.
Publishers have long sought to treat news as exclusive to protect their investments against copying or “free riding.” But over the centuries, arguments about the vital role of newspapers and the need for information to circulate have made it difficult to defend property rights in news. Beginning with the earliest printed news publications and ending with the Internet, Will Slauter traces these countervailing trends, offering a fresh perspective on debates about copyright and efforts to control the flow of news.
Critiques
“This history of the idea and practice of trying to control news by treating it as intangible property is an important and hugely timely work—brilliantly researched and presented with real sophistication.”
—Lionel Bently, University of Cambridge
“Who Owns the News? is a meticulous and fascinating history of attempts over four centuries to copyright news, but it is also much more than that. Will Slauter has given us a commercial history of journalism, which demonstrates that news is a public good that always needs to be embedded in a set of favorable arrangements in order to survive. It is a useful corrective to today’s bromides about the promise of new forms of market support for news, at a time when its economic base has severely eroded.”
—Nicholas Lemann, Columbia Journalism School
“A gripping tale, mixing the high principle of Supreme Court opinions with the low subterfuge of editors concocting fake news to expose pilfering rivals. At a moment of peril for both the news industry and the culture that depends on it, there could be no better demonstration of our need for a historical perspective on the most pressing issue of our time.”
—Adrian Johns, University of Chicago
“Slauter spins stories of information-gatherers who bundled [the news], monetized it and tried (by means legal and extralegal) to protect their hard-earned labors. Who Owns the News weaves these strands into a magnificent narrative….Who Owns the News? is an entertaining and well-written reminder of the need to examine the history and first principles of copyright.”
—Raymond J. Dowd, New York Law Journal
“This is a well-written, thoughtful book, demonstrating how copyright law has struggled to keep up with the development of news culture, setting out the historical context in great detail and supported by much research, and with interesting conclusions and predictions for the future. It is unreservedly recommended.”
––Charles Oppenheim, European Intellectual Property Review
- “This important volume from an authoritative international team of authors sheds significant new light on the comparative development of post-war Conservatism in the western world.”
– Stuart Ball, Professor Emeritus, University of Leicester, UK - “The rich essays collected in this illuminating volume show that the rise of right-wing politics in the United Kingdom, the United States, and France since the 1970s was a remarkably transnational phenomenon. As they attacked social democracy and cultural pluralism, right-wing movements borrowed ideas, visions, vocabularies, and tactics from each other, adapting them to their own national idioms and using advances in one country to win advances elsewhere. Anyone interested in confronting the problems that have proliferated in the wake the right’s reconfiguration of politics – surging inequality, belligerent ethno-nationalism, worker disempowerment and insecurity, and lost faith in the capacity for democratic self-government – has much to learn about the origins of these problems from this important book.”
– Joseph A. McCartin, Georgetown University, USA, author of Collision Course