Ubiquitous Visuality

Ubiquitous Visuality

Towards a Pragmatics of Visual Experience

Publication | Table des matières | Critiques

Résumé

Table des matières

• Ubiquitous Visuality: Towards a Pragmatics of Visual Experience

  • Catherine Bernard et Clémence Folléa
    Introduction [Texte intégral]

  • New Modes of Visual Immersion

    • Ariane Hudelet
      Dealing with Long Duration: TV Series, Aesthetics and Close Analysis [Texte intégral]
    • Clémence Folléa
      Experiencing, Experimenting with, and Performing Visual Narratives [Texte intégral]
      Large- and Small-Scale Stories in AAA Action-Adventure Game Franchises
    • Cécile Beaufils
      Contemporary Text Experiences and Storytelling [Texte intégral]

  • Gazing In / Gazing Out at Bodies

    • Juliette Melia
      Selfies, Digital Self-Portraits, and the Politicization of Intimacy [Texte intégral]
    • Béatrice Trotignon
      A Portrait of a ‘Selfie’ in the Making [Texte intégral]
      An Iconological Analysis of Roberto Schmidt’s Photograph of Three World Leaders Taking a Selfie
    • Emmanuelle Delanoë-Brun
      Screen resistance: New Anatomies of Beauty? [Texte intégral]
    • Diane Leblond
      Ways of Seeing Animals [Texte intégral]
      Documenting and Imag(in)ing the Other in the Digital Turn
    • Martine Beugnet
      Touch and See? Regarding Images in the Era of the Interface [Texte intégral]

  • The Near and the Far: Reinventing the Geography of Vision

    • Chiara Salari
      Postcards from Google Earth [Texte intégral]
      Re-mediated Maps and Artistic Appropriations Between Personal Collections and the Global Archive
    • Charlotte Gould
      Britain’s Pop Ups [Texte intégral]
      Guerrilla Exhibiting, Disrupting, Occupying and Gentrifying at the Intersection of Art and Business

• Book Reviews

  • Julie Assouly
    Kim Wilkins, American Eccentric Cinema [Texte intégral]
    New York: Bloomsbury, 2019, 224 pages
  • Sébastien Mort
    Dannagal Goldthwaite Young, Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States [Texte intégral]
    Oxford: Oxford University Press, 2020, 288 pages

• Conference and Seminar Reviews

  • Myriam Mellouli
    The Body in Motion – AIDOC Study Day [Texte intégral]
    September 10, 2020, Maison de la Recherche Germaine Tillion, University of Angers
  • Clémentine Tholas
    Man Ray and Fashion / Man Ray et la mode – Musée du Luxembourg, Paris [Texte intégral]
    Man Ray et la mode, Musée du Luxembourg, Paris, curators: Xavier Rey, Alain Sayag, Catherine Örmen

Critiques

• “This important volume from an authoritative international team of authors sheds significant new light on the comparative development of post-war Conservatism in the western world.”
  – Stuart Ball, Professor Emeritus, University of Leicester, UK
• “The rich essays collected in this illuminating volume show that the rise of right-wing politics in the United Kingdom, the United States, and France since the 1970s was a remarkably transnational phenomenon. As they attacked social democracy and cultural pluralism, right-wing movements borrowed ideas, visions, vocabularies, and tactics from each other, adapting them to their own national idioms and using advances in one country to win advances elsewhere. Anyone interested in confronting the problems that have proliferated in the wake the right’s reconfiguration of politics – surging inequality, belligerent ethno-nationalism, worker disempowerment and insecurity, and lost faith in the capacity for democratic self-government – has much to learn about the origins of these problems from this important book.”
  – Joseph A. McCartin, Georgetown University, USA, author of Collision Course