Martine Beugnet
Research
Research themes
- Cinema, Video, Digital Media
- Visual Studies
Current Project
Forthcoming: Les devenirs numériques des patrimoines, Michel Bernard, Martine Beugnet et al., Paris : Maisons des Sciences de l’Homme, Automne 2022.
Two volumes of the journal Interfaces on scale in arts and visual culture for 2023. A collaboration between ACV LARCA and the department of Film Studies, King’s College London.
A book with Kriss Ravetto (UCLA) on ghosts and politics in moving image media.
Research Supervision
- Cinema, Video, Digital Media
- Visual Studies
Bio
Education and Academic Positions
- 1997-1999, Lecturer, University of Northumbria
- 1999, PhD, University of Edinburgh
- 1999-2007, Lecturer and reader, University of Edinburgh
- 2007-2012, Professor in Film Studies, University of Edinburgh
- 2012-present, Professor in Visual Studies, Paris University
Administrative Responsibilites
- Co-direction, with Emmanuelle André, of the double Master in Film Studies (Anglais Cinéma)
- Co-direction, with Ariane Hudelet, of the Research Cluster Arts and Visual Culture
- Head of Department, English Studies, Paris University, 2015-2018
- Head of Film Studies, University of Edinburgh, 2001-1012
Media
Publications
Articles
- Forthcoming in June 2023: two coedited special issues of Interfaces journal on Scale in the Visual arts.
- « Immersion », a Screen dossier coedited by Martine Beugnet and Lily Hibberd, Screen, vol. 61, Issue 4, Winter 2020, https://doi.org/10.1093/screen/hjaa054
Recent and forthcoming articles:
- “Vertiginous Hauntings: the Ghosts of Vertigo”, avec Kriss Ravetto, FilmPhilosophy journal, vol.23, issue 3, 2019 https://www.euppublishing.com/doi/full/10.3366/film.2019.0114
- « Touch and See? Regarding Images in the Era of the Interface », InMedia [En ligne], vol. 8.1., 2020, https://doi.org/10.4000/inmedia.2102
- «Raw becomings: Bodies, discipline and control in Julia Ducornau’s Grave», avec Emmanuelle Delanoé-Brun, French Screen Studies, vol. 21:3, 2021, pp. 204-223. https://doi.org/10.1080/26438941.2021.1920705
- «Affecting Images: Cinema, Blur and Absorption», TIES, Journal of Literature, Text, Image and Sound, 8:1, 2021, http://revueties.org/document/827-affecting-images-cinema-blur-and-absorption
- « Absorbed in experience: new perspectives on immersive media », avec Lily Hibberd, Screen , vol. 61, Issue 4, Winter 2020, https://doi.org/10.1093/screen/hjaa054.
- « Godard’s hands (on the Livre d’image) », with Kriss Ravetto, Alphaville, Été 2022.
- « Cinematic darkness: dreaming across film and immersive digital media », avec Lily Hibberd, à paraître dans AN ICON journal, Printemps 2022.
- «Subverting the disciplinary gaze. Reviewing Foucault. The panoptic model in I thought I Was Seeing Convicts, Lockup 360 and Correction», à paraître dans Transatlantica, Printemps 2022.
- « Godard’s Hands (on Le livre d’image) », à paraître dans Alphaville, Printemps 2022.
- «The Gulliver effect: Screen Size, Scale and Frame, from Cinema to Mobile Phones», à paraître dans The New Review of Film and Television Studies, Automne 2022.